| WATCH ARIANA GRANDE AND KID CUDI “JUST LOOK UP” FULL PERFORMANCE VIDEODON’T LOOK UP (SOUNDTRACK FROM THE NETFLIX FILM) OUT NOW! INCLUDES BRAND-NEW BON IVER TRACK “SECOND NATURE” FEATURES ORIGINAL SCORE BY TWO-TIME ACADEMY AWARD-NOMINATED AND EMMY-WINNING COMPOSER & PIANIST NICHOLAS BRITELL DON’T LOOK UP RELEASES IN SELECT THEATERS TODAY AND ON NETFLIX DECEMBER 24, 2021   Today, Republic Records releases Don’t Look Up (Soundtrack from the Netflix Film), listen HERE. The soundtrack includes “Just Look Up” featuring Ariana Grande and Kid Cudi, who star in the film—and perform the song—as pop music power couple Riley Bina and DJ Chello. The “Just Look Up (Full Performance from ‘Don’t Look Up’)” premiered today, watch it HERE. Brand-new track “Second Nature,” performed and co-written by Bon Iver, is also released today with the soundtrack. Listen to “Second Nature” HERE. “Just Look Up” was co-written by Grammy winners, Ariana Grande and Kid Cudi, 2-time Academy Award-nominated / Emmy winning composer Nicholas Britell and Oscar nominated songwriter Taura Stinson. Nicholas Britell (Moonlight, If Beale Street Could Talk, Succession) produced the soundtrack, composed the score and co-wrote “Second Nature.” Written and directed by Academy Award winner Adam McKay (The Big Short, Vice), DON’T LOOK UP follows Kate Dibiasky (Jennifer Lawrence) and Dr. Randall Mindy (Leonardo DiCaprio), two low-level astronomers who make an astounding discovery of a comet orbiting within the solar system. The problem — it’s on a direct collision course with Earth. The other problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. With the help of Dr. Oglethorpe (Rob Morgan), Kate and Randall embark on a media tour that takes them from the office of an indifferent President Orlean (Meryl Streep) and her sycophantic son and Chief of Staff, Jason (Jonah Hill), to the airwaves of The Daily Rip, an upbeat morning show hosted by Brie (Cate Blanchett) and Jack (Tyler Perry). With only six months until the comet makes impact, managing the 24-hour news cycle and gaining the attention of the social media obsessed public before it’s too late proves shockingly comical — what will it take to get the world to just look up?! DON’T LOOK UP also stars Mark Rylance, Ron Perlman, Timothée Chalamet, Ariana Grande, Scott Mescudi (aka Kid Cudi), Himesh Patel, Melanie Lynskey, Michael Chiklis and Tomer Sisley and releases in select theaters today and on Netflix December 24th. Watch the trailer HERE.Don’t Look Up (Soundtrack from the Netflix Film) 1 Just Look Up – Ariana Grande and Kid Cudi 2 Discovery – Nicholas Britell 3 Ephemeris – Nicholas Britell 4 On Hold – Nicholas Britell 5 The Call – Nicholas Britell 6 C-5 Galaxy – Nicholas Britell 7 Don’t Look Up – Main Title Theme – Nicholas Britell 8 BASH Corporate Ident – “Liif” – Nicholas Britell 9 Hyperobject Approaches – Nicholas Britell 10 My Boyfriend Broke Up With Me – Nicholas Britell 11 The Arrest – Nicholas Britell 12 It’s A Strange Glorious World – Nicholas Britell 13 The Launch – Nicholas Britell 14 The BASH Presentation – Nicholas Britell 15 Kate Goes Home – Nicholas Britell 16 FEMA-BASH Commercial – Nicholas Britell 17 Arrival At The Hangar – Nicholas Britell 18 There Is A Comet – Nicholas Britell 19 The Comet Appears – Nicholas Britell 20 The Prayer For Stuff – Nicholas Britell 21 The BASH Launch – Nicholas Britell 22 Twenty-Four Drones Is Enough – Nicholas Britell 23 It All Comes Down To This – Nicholas Britell 24 Thanksgiving (Overture To Logic And Knowledge) – Nicholas Britell 25 The End? – Nicholas Britell 26 Memento Mori – Nicholas Britell 27 Don’t Look Up – End Credits Suite – Nicholas Britell 28 Logic Waltz In B Major (Bonus Track) – Nicholas Britell 29 Don’t Look Up – Main Title Suite (Bonus Track) – Nicholas Britell 30 Ode To Science (Bonus Track) – Nicholas Britell 31 Second Nature – Bon Iver Connect with DON’T LOOK UP SITE | TWITTER | INSTAGRAM ABOUT NICHOLAS BRITELL Two-time Academy Award-nominated composer and pianist Nicholas Britell is known for his critically acclaimed scores on feature films with Academy Award winning writer-directors Barry Jenkins and Adam McKay. In 2016, Britell was responsible for the score for Jenkins’ Best Picture winner Moonlight. Britell received his first Academy Award, Golden Globe, and Critics’ Choice nominations for Moonlight as well as the 2016 Hollywood Music in Media Award for Best Original Score (Dramatic Feature). The year prior, he wrote the score for McKay’s much-nominated The Big Short, based on Michael Lewis’s best-selling book. In 2018, Britell wrote the score for Barry Jenkins’ If Beale Street Could Talk for which he received his second Academy Award nomination as well as BAFTA and Critics’ Choice nominations. In 2018, he also wrote the score for McKay’s Vice, starring Christian Bale, which went on to receive eight Academy Award nominations including Best Picture. Britell’s most recent film work is McKay’s much anticipated Netflix comedy Don’t Look Up starring Leonardo DiCaprio and Jennifer Lawrence, for which Britell has won the 2021 Hollywood Music In Media Award for Best Score – Feature Film. Britell has also received two nominations for Original Song “Just Look Up” and On-Screen Performance for “Just Look Up, which he co-wrote with Ariana Grande, Scott Mescudi and Taura Stinson. “Just Look Up” is performed by Ariana Grande and Kid Cudi. Other recent film work includes Disney’s box office hit Cruella and Netflix’s The King. Britell’s upcoming projects include writing the score for Jenkins’ The Lion King for Walt Disney and McKay’s HBO drama series Untitled Lakers Project. For television, Britell won an Emmy for Outstanding Original Main Title Theme as well as the 2018 Hollywood Music in Media Award for Best Original Score (TV Show/Limited Series) for HBO’s Succession Season 1 for which he re-teamed with McKay who directed the pilot. Britell went on to score Seasons 2 and 3 of Succession. In addition, Britell scored Barry Jenkins’ critically acclaimed limited series The Underground Railroad for Amazon, for which he received a nomination for an Emmy for Outstanding Music Composition. In 2019, Britell was honored by the World Soundtrack Awards as Film Composer of the Year for his scores for If Beale Street Could Talk and Vice. In 2020, the World Soundtrack Awards honored Britell for a second year running, this time with the TV Composer of the Year Award for Succession. In 2021, Britell along with co-writers including Florence Welsh, won the World Soundtrack Award for Best Original Song for “Call Me Cruella.” About Republic Records A division of Universal Music Group, the world’s leading music company, Republic Records is home to an all-star roster of multi-platinum, award-winning legends and superstar artists such as Ariana Grande, Billy Porter, Bo Burnham, Drake, Glass Animals, Florence + the Machine, Greta Van Fleet, Hailee Steinfeld, Jack Johnson, James Blake, James Bay, Jessie J, John Legend, John Mellencamp, Jonas Brothers, Julia Michaels, Kid Cudi, Kim Petras, Lil Wayne, Lorde, Metro Boomin, NAV, Nicki Minaj, Of Monsters and Men, Pearl Jam, Post Malone, Seth MacFarlane, Stevie Wonder, Swedish House Mafia, Taylor Swift, The Weeknd and more. Founded by brothers and chief executives Monte and Avery Lipman, it is also comprised of innovative business ventures, including American Recordings, Boominati Worldwide, Brushfire, Casablanca Records, Cash Money, Lava Records, Universal Arabic Music, XO, Young Money, among others. In addition, Republic has expanded to release high-profile soundtracks for Universal Pictures (Sing and Sing 2), Sony Pictures (Spider-Man Into the Spider-Verse) and NBC TV (The Voice), as well as other notable film and television franchises. Extending further into the worlds of film, television, and content, Republic launched Federal Films in order to produce movies and series powered by the label’s catalog and artists. About Netflix Netflix is the world’s leading streaming entertainment service with 214 million paid memberships in over 190 countries enjoying TV series, documentaries, feature films and mobile games across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any Internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. |